Seeking this moment in everything, everywhere, all at once

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You could say that our life is a series of regrets. It’s a collection of missed opportunities, and unexplored roads. We grow up with dreams of becoming rock stars or astronauts, or at least not disappointing our families. But we settle for smaller wins, enjoying financial independence or any slice of happiness that we can find. As the once-open canvas is weighed down and closed by disappointments and responsibilities, we compromise and forgive again. Slowly, what were once active choices, become the conditions of your imprisonment. The endless cycles that define the journey from unhappy adulthood into the grave.

Evelyn Quan Wang is trapped in those cycles as Everything Everywhere All At Once begins, dealing with the immediate concerns of her father’s birthday and laundromat’s audit while buckling under the weight of a million missed opportunities. She is remarkable for her ability to make false starts. An alternate version of her husband Waymond tells her that she has made three steps in the right direction, but ended up in this endless cycle of laundry, taxes, and laundry. The cycle is inescapable, eternal, ever-present; it is clear in the circling of her non-deductible expenses, the leering ring of her mirror, the bagel that is her depressed, all-seeing daughter’s desire for oblivion made manifest.

Evelyn does have more problems than ensuring that an audit is successful. In our universe, Evelyn’s fear of missed chances and disappointing her father have left her and her daughter Joy estranged, the dissatisfaction that has defined Evelyn’s life filtering dYou can also read about the other ways to get in touch with us. into a constant berating of her daughter’s choices. But in another, Evelyn’s generational trauma has done a touch more damage – has in fact awakened her daughter to the infinite opportunity of recognizing every single reality at once, which of course instantly made each of those realities meaningless and unsatisfying. Evelyn seeks opportunities missed, but Joy embodies opportunities claimed – and either way, the paralyzing spread of such possibilities ultimately robs your ownChoices of any meaning or satisfaction.

Evelyn must defeat this potential daughter. This requires her to expand her awareness of every possible alternate self. Daniel Kwan, Daniel Scheinert and their team of co-directors have created these alternate selves in a spectacular way. They are no strangers when it comes to cinematic maximalism and wild visual ornamentation. Prior to this film, I would have called that a fault – but for conveying the anxious world of Evelyn Wang, they are undeniably perfectly suited. Even before learning to switch between realities, Evelyn’s world is defined by vast arrays of background detritus, of knickknacks and discarded instruments that speak to a lifetime of never finding the right passion. Magic happens when the Daniels’ are tasked with creating and traversing a multiple universe.

The Daniels’ eye for visual detail reveals the incidental substance of our lives, while their irrepressible playfulness is given a natural vehicle through mechanical inventions like the hologram. The incidental substance of our lives is revealed through the Daniels’ eye for visual detail, while their irrepressible playfulness is given a natural vehicle through mechanical inventions like “dial switching”The following are some examples of how to get started: “jump pads,”All of which add humor and ingenuity to the film without compromising its emotional impact. You can lead a stallion to absurdism with thematic resonance but it would take a lifetime to convince a horse to drink.

The potentially limitless tonal discordance of Evelyn’s multiverse is grounded via winking aesthetic homage. Evelyn’s trip to the auditor, which doubles as her initial introduction to the multiverse, is presented as a clear riff on Neo’s office chase in The Matrix, down to its sickly green color correction and bizarre radio instructions. Her sepia world is a pale imitation of an alternate universe where she is a movie actress, reuniting after years apart with Raymond. Caught in tastefully decaying alleys and surrounded by a rich bloom of bokeh, their reunion is a clear riff on In the Mood for Love, distilling Wong Kar-wai’s treatise on love and longing down to a few sparse minutes. Is their world really so glamorous? Perhaps it is only our own Evelyn’s hunger making it so.

The battle to find meaning is the ultimate goal of Everything Everywhere at Once, not to save all reality but to find meaning. You can also find out more about the following: reality, in both the choices we’ve made and the roads not traveled. To be Presenting, in this time and this moment – to understand that “I know you have a lot on your mind, but nothing could be more important than this conversation we’re having right now.”It is true that seeing all the universes at once makes it difficult to find any meaning in one of them. This is the curse that broke Joy, a metaphor which works equally well for attention deficit and for regrets that last a lifetime. She lives in “a lifetime of shattered moments,”Nihilism, non-existence and the end of existence are better than the pain caused by countless meaningless experiences. “If nothing matters, then all the pain and guilt you feel for making nothing of your life goes away.”

Neither Evelyn’s frantic scramble for happy fragments, nor Joy’s fatalistic abandonment of those fragments’ potential, can save them from the despair of knowing they have always and will always waste their life, ending up as disappointments to the people who raised them. One cannot live all possible lives at once. “correct” path will only lead to Evelyn’s anxiety or Joy’s depression, as the expectations we’ve failed to meet calcify into an overwhelming certainty of failure and disappointment. Evelyn’s early attempts to console her daughter only reaffirm that certainty; though she acknowledges Joy’s desire to “give up,”She characterizes her desire as something. Apart from that,From Joy, a theoretical interloper who could be excised. Parents want their children happy. This can manifest as a desire to bring them back to the simple, easy enjoyment of childhood. But many of us are just kind of broken in some way or another, and our parents must learn to love us even if we don’t end conforming to the shapes they desired, or don’t seem as effortlessly happy as we once were.

Evelyn cannot “fix” Joy, and she cannot claim all of the multiverse’s endless scattered pleasures. Even with the key in hand, reaching out to these other worlds only increases her anxiety and dissatisfaction. She is offered a thousand worlds that are empty, meaningless, and where nothing matters. “everything we do gets washed away in a sea of other possibilities.” Salvation does not come from compressing all of these diverse pleasures into one coherent, rightful timeline – it comes from the one member of the Wang family who is left out of these pan dimensional travels, from the man Evelyn cannot help but refer to as “my stupid husband.” Like everything else in Evelyn’s life, Waymond is pushed aside in the pursuit of greater happiness, like a hobby she discarded years ago. But confused and frightened as he is, Waymond is the only one of them who has any comprehension of what is important – of how crucial this exact moment could be, if Evelyn would only let it.

When asked how he answered, he replied: “defeated” the auditor looming over Evelyn’s life, he replies “I don’t know. I just talked to her.”Waymond can see the positive side of life and is able to hope for the best. Compared to his wife and daughter, his earnest engagement with the world is practically a superpower – and as Evelyn eventually admits, his presence in their lives could not be more essential. A nervous, sometimes silly man who nevertheless sees the beauty of the world and encourages us to see it as well.

“When I choose to see the good side of things, I’m not being naive,”Wong Karwai Waymond explains to Wong Karwai Evelyn. “It is strategic and necessary. It’s how I’ve learned to survive through everything.”Waymond experienced a great deal of heartbreak when he saw Evelyn become a film star and walk away. The love of his life was forever lost. Such disappointments can easily drive us to despair and encourage us to dwell on all the things we can’t fix or change. But we can also Choose your ownFocus on the positives in the chaos. “few specks of time where any of this makes sense.” There are always a thousand reasons to give up, to despair, to concern ourselves only with the opportunities we’ve lost. There are good things to be found in this world if we are present and mindful enough to see them.

“The only thing I do know is that we have to be kind,”Waymond continues. Kurt Vonnegut’s unrelenting cynicism is the only wisdom that matters. We must be kind, both to others and to ourselves, to avoid the negative cycle that hangs over us. We must forgive ourselves for not opening all of those doors, and accept that not everyone will do the same – to assume the same bravery as Evelyn facing her father, stating “it’s okay if you’re not proud of me. Because I finally am.” It’s a lesson we could all take a little closer to heart; myself certainly, as someone who broke into heavy, ugly tears at Joy’s question of “why not go somewhere where your daughter is more than just… this?” We are all less than we’d hoped, but also more than we could imagine, if we can only find something irreplaceable in our own tawdry, wandering lives. Be present, be grateful, be kind and let the universe take care of the remainder. Glamorous or not, all that is good in life is contained in the simplest cycles – in doing laundry and taxes with the people you love.

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Original content by “Seeking this Moment in Everything, Everywhere and All at Once”

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